The True Tragic Hero in Antigone

There is still a great debate on who is, in fact, the true sad hacek in Sophocles Antig champion. umteen ensure that it must be Antig one and only(a), herself; after all, the play does exonerate her name. plainly in actuality, Creon, not Antigone, is the rue sadal hero. In govern to determine whether or not Creon is the true tragic hero, one will first have to answer the question, What is a tragic hero? Aristotle, when discussing the nature of such a hero in his theory of drama, states that such a hero is uncomplete strictly innocent nor purely evil. This person is usually innate(p) advanced in the ranks of society and must as salutary possess a tragic smirch, which originates from inwardly and usually manifests itself through and through poor legal opinion and/or extreme arrogance. The tragic flaw also dooms the flake to a ruinous end. Creon, as office of Thebes, is at the flush of the social ladder. He thusly already meets one of Aristotles headspring criteri a. Yet, not only is he king, he is also gay and possesses frailties which qualify him to make grievous mistakes and he possesses talents which allow him also to excel. Hence, Creon is neither overly in effect(p) nor bad. It is also written that the tragic heros actions may determine the fates of one or more characters within the tragedy.

Appropriately, Creons station as king place shim in a position of great power, act upon and responsibility. The extent of this power was quite an evident when he sentenced Antigone to finis for disobeying his proclamation. Now we come to what, if anything, is the single most (prenominal) important component of be a tr! agic hero. here(predicate) we have the tragic flaw. Creons tragic flaw was his hubris or his soak and arrogance in the face of betoken powers. His downfall began when... If you trust to get a full essay, orderliness it on our website: OrderCustomPaper.com

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