Proximity and Juxtaposition :: Essays Papers

Proximity and appositionIn order to properly comp atomic number 18 and contrast the similarities amid apposition and proximity a definition is surely needed of the two. Proximity for instance, refers to the congress nearness of imprints, and how that effects the relationship between them. Juxtaposition on the some other hand, refers to the way in which elements or forms argon put next to apiece other. Juxtaposition and proximity are two important aspects of design that are often used together and must be taken into peak when creating a work of art. One similarity between juxtaposition and proximity is that they both have the ability to communicate what type of connection should be made between a grouping of elements or forms. For example, when referring to proximity, if the elements are hardened closely together in a design, they relay to the viewer that they are a group, and they should be translated as one. The way 2 elements are determined together (juxtaposi tion) conveys a relationship as well. An example of this is in Gustav Klimts art work (see last 2 pages) titled, The Kiss (Gombridge 65). In Klimts painting a man and a woman are placed next to each other in an interesting way. The forms of their bodies are twisted and resemble the abstraction of melting and movement. There is an obvious relationship between the two forms which would not be as apparent if the forms were not put the way that Klimt chose to. The bodies are vertically aligned, so that a oneness cigaret be achieved. Had the man been upright and the woman horizontally placed crosswise the ground, the two forms would communicate differently. The feeling of movement, melting, and oneness, would surely lose its intensity. Taking an compensate closer look at Gustav Klimts art work, the viewer may focus on the geometric shapes within the 2 forms. At runner the viewer notices that rectangular shapes are juxtaposed within the male form, and a majority of the woma ns form is filled with circular shapes. However, towards the demean and upper parts of their bodies, juxtaposition and proximity are used to form a relationship between the rectangular and circular shapes. There are a few rectangles and circles placed so close to one other and in such a way that the onlooker can no longer distinguish between the mans and the womans bodies.